Guest Post By Michael Seidelman

About the Author 

When Michael Seidelman was growing up, his passions were reading, watching movies, enjoying nature and creative writing. Not much has changed since then.

Working in Online Marketing for over ten years, Michael felt it was time to pursue his passion and began writing The Garden of Syn trilogy.

His latest Middle Grade book, Imaginary Heroes, is personal for Michael. While fiction, the book is inspired by his own childhood experiences with bullying, loneliness, and Tourette’s Syndrome. He set out to tell an entertaining story while delving into issues many kids can relate to, told by someone who has experienced them firsthand.

Michael was born in Vancouver, BC Canada where he continues to reside.

Can you tell us what your book is about?

Imaginary Heroes follows twelve-year-old Matthew, who struggles with Tourette Syndrome and relentless bullies. He finds comfort in his imaginary friends—a tough girl named Nabie and a lovable green monster named Garby. But when Matthew and his tormentors become trapped in a mysterious underground lair, they must work together to escape before the darkness consumes them all.

What inspired you to write this story?

I wanted to dedicate my next book to my nephew, who’s an avid reader, so I decided to write something for his age group. I was working on the final book in my young adult Garden of Syn trilogy when I heard a radio segment about the host’s imaginary friends—and that sparked something in me. I began thinking about my own imaginary friends from childhood and the challenges I faced, like bullying and Tourette Syndrome. From there, the story came together naturally.

Are any parts of the story based on your real-life experiences?

Very much so. While the book is fictional with elements of fantasy and adventure, Matthew—the protagonist—is similar to me when I was his age. Like me, he has Tourette Syndrome and is bullied at school. Because of his isolation, he still talks to the same imaginary friends I once had: Nabie & Garby. Although I left my imaginary friends behind in kindergarten, I brought them back for this story. The bullies, especially Declan, are inspired by the real ones I encountered growing up.

What was your favorite scene to write?

While the fantastical parts were a lot of fun, my favorite scene to write was when Matthew finally snaps and tells his main bully, Declan, how the constant bullying has impacted his life. It’s everything I wish I could have said to my bullies but never did. Writing that moment was incredibly cathartic.

Did any other books or authors influence your writing?

Absolutely. Growing up, I loved Roald Dahl and Enid Blyton. Their creativity and heart have definitely influenced my own writing style. I also drew inspiration from a few other authors I’ve read over the years who know how to mix humor, suspense and imagination. 

Are there any hidden details or easter eggs in the book that readers should look for?

So many! While most might go unnoticed, I’ve included the names of businesses my great-grandparents owned, a former teacher’s name, and references to historic Vancouver companies—even though the story is set in Washington State. It’s a little way for me to honor my roots.

What was the most challenging part of writing the book?

Writing kids wasn’t too difficult—I was one, after all! But writing kids in a different era than the one I grew up in was definitely a challenge. I had to do quite a bit of research to make sure it felt authentic. My nephew and my sister, who’s a teacher, were incredibly helpful in that process.

Do you plot out your stories in advance or make them up as you go?

I’m definitely a “Plotter.” While some authors are “Pantsers” who write by the seat of their pants, I outline everything in advance. I map out the details for each chapter before I even start writing. Sure, some things change along the way, but the major plot points are always planned out from the beginning.

What do you hope kids take away from your book?

First and foremost, I hope they have fun reading it. Above all, I aim to entertain. But I also hope the story encourages empathy—that kids will come away understanding that people who are different from them deserve kindness and compassion just like anyone else.

Is there anything else you’d like to add?

I just want to thank everyone for checking out my books—whether it’s Imaginary Heroes or The Garden of Syn trilogy. If you read the book and want to share your thoughts or ask me anything, feel free to reach out on social media or through my website. I’d love to hear from you!

Featured Book

To read about the book click here.

Guest Post By Maxime Trencavel

About the Author 

Maxime has been scribbling stories since grade school, from adventure epics to morality plays.

Blessed with living in multicultural pluralistic settings and having earned degrees in science and marketing, Maxime has worked in business and sports, traveling to countries across five continents and learning about cultures, traditions, and the importance of tolerance and understanding.

Maxime’s second novel, The Matriarch Messiah, was conceived, outlined, written, and edited in different locations in Belgium, including the Turkish and Kurdish neighborhoods of Brussels, in various islands of the Caribbean, in Colombia, in Madrid, Malaga, Mallorca, Spain, London, UK, and on the two coasts of the United States.

Website * Facebook * Instagram * Bookbub * Amazon * Goodreads

Author Links

Website: https://tailofthebird.com/

Facebook:  https://www.facebook.com/MaximeTrencavel/

Instagram: https://www.instagram.com/maximetrencavel/

Bookbub: https://www.bookbub.com/authors/maxime-trencavel

Amazon: https://www.amazon.com/stores/Maxime-Trencavel/author/B075R91XJV

Goodreads: https://www.goodreads.com/author/show/17168784.Maxime_Trencavel

How did you come up with the concept and characters for the book? 

When conjuring up the legend of how monotheism might have been created at the world’s oldest temple, Göbekli Tepe, I originally planned a typical patriarchal lineage which passed down the faith created by these pre-Neolithic people in 10,000 BCE.

The book had the operating title “The Object”. My novel folders are still labeled “The Object I”, “The Object II”, and so forth. 

But a trusted associate challenged me on the overused notion of patriarchy. The presumption of men creating religion discredited half the world’s population as usual.

Why not a matriarchy she asked me. And “The Matriarch” title and premise was born.

One will note that The Matriarch Matrix starts with Peter Gollinger’s story and how his grandfather passes down the legend of the black object he received from his grandfather and so forth.

That was a left over of the patriarchy storyline. The matriarchy story starts chapters later when the pre-Neolithic man, Orzu, saves Nanshe from the terrors of a malicious race of giants of the north.

Nanshe becomes the founding matriarch, for which Zara, who is introduced two chapters earlier, is a descendant. 

In the patriarchy outline, Zara was supposed to be a minor character shuttling around Peter and Father Jean-Paul Sobiros to the ruins of Göbekli Tepe.

Once the storyline turned into a matriarchal one, Zara became a major character.

After my first copy edit draft, my beta readers named Zara as the strongest most compelling character in the book. Voila, Zara then took center stage. The last seventy percent of the book is very Zara centric. 

Every story has to have a nemesis. Well, I just listened to an old RWA conference presentation which refuted this notion, but most readers are looking for a clear nemesis.

So, an evil incarnate all powerful, all invasive Russian oligarch was created. Alexander Murometz, the head of the MoxWorld empire. He is kind of a Darth Vader who actually has clever dialogue. You’ll find out why in The Matriarch Messiah. 

In The Matriarch Messiah, a new secondary character had been scripted in the first draft. Rachel, an Israeli Torah historian and archeologist.

Think a feminine Jewish Indiana Jones. She was only supposed to be a minor nuisance in the way of Zara’s reluctantly proclaimed prophetess status promoted by Alexander Murometz, of course.

But the developmental editor hammered away in her comments how more needed about this new character.

And voila, Rachel shares center stage with Zara in The Matriarch Messiah as the legend of the blue cavern says: “Two women will fight for the light. One must die. For only in the death of life can one be in the chamber of the blue light.” Who will die? Who will save us all?

**Releases March 17th – Preorder Now for Only .99cents!**

Amazon * Apple * B&N * Google * Kobo * Books2Read * Bookbub * Goodreads

Book Links:
Amazon: https://www.amazon.com/gp/product/B0DZ334PM7

Apple: https://books.apple.com/us/book/the-matriarch-messiah/id6742783963

B&N: https://www.barnesandnoble.com/w/the-matriarch-messiah-maxime-trencavel/1147088976

Google: https://play.google.com/store/books/details/Maxime_Trencavel_The_Matriarch_Messiah?_bbid=260482728&_bbreg=us&_bbtype=blog&id=I_9LEQAAQBAJ

Kobo: https://www.kobo.com/us/en/ebook/the-matriarch-messiah

Books2Read: https://books2read.com/u/bQk0Ve

Bookbub: https://www.bookbub.com/books/the-matriarch-messiah-an-epic-sci-fi-suspense-thriller-mystery-of-the-matriarchs-book-2-by-maxime-trencavel

Goodreads: https://www.goodreads.com/book/show/228673788-the-matriarch-messiah

Guest Post By Jennifer J. Brown

Fun Facts and Little Secrets: About the Author

From my early childhood days up until now, I’ve relished being a storyteller and had a deep love of animals and the natural world. In the rural area at the foothills of New York’s Catskill Mountains where I grew up, I was outside a lot on my own or with my sister.

Mother Nature provided most of our “toys”. We made up stories together and enacted them privately all the time. My mom was super-busy working and caring for the family, and so I attempted to get her attention by being entertaining at home, or when that failed, horrifying.

She was quite emotional and I usually got some kind of response, which was all I really wanted. 

I guess when you’re a kid, they call spinning tales “telling lies” but in adult life, it’s “writing fiction”. I quickly learned truth was stranger than fiction, and began to love nonfiction as well.

As I matured, I also tried to be inspiring through my writing. To find the ray of hope after a storm; to discover the silver lining in any disaster.

I had an early start with writing. By sixth grade I was making up short stories. My teacher that year read one of these aloud to our class, but stopped quite suddenly only halfway through.

He said it obviously couldn’t have been written by a child, and discarded it. John Steinbeck was my favorite author at that time, so I’d picked up a style that was a bit dark.

This setback stopped me for a while, but by 10th grade I had a whole folder of new stories and also some essays and poems. I submitted these at school without keeping copies, and a few weeks later my English teacher told me he’d lost them all.

So that was a second delay. I didn’t get going again until I was about 25, a few years after graduating college with a science degree. 

The strangest thing that ever happened to me was later that year. I’d been writing poetry nights, and at an in-person workshop I took in West Philadelphia taught by renowned poet and South African activist, Dennis Brutus, author James Baldwin walked in halfway through the class as a guest.

The small, older man was attractive, sensitive and soft spoken with great warmth. After he’d shaken hands with each of us and left, I asked, “Who’s James Baldwin?”

That I didn’t know of the iconic writer’s novels and essays or about his huge influence on other US authors horrified my classmates. I soon read all Baldwin’s novels and essays, which deeply affected me.

And then I was hooked on the idea of transforming stories into activism. Much of my writing addresses social issues of our time in one way or another.

A little-known, odd fact about me is that I prefer fruits and vegetables over all kinds of other foods simply because the sight of meat disturbs me.

This began in childhood after seeing beloved chickens disappear from the backyard and appear as a dish at the table the following day.

I love all kinds of animals, and currently have two sweet rabbits at home adopted from a local New York City animal shelter. A close friend once asked me what animal I would choose as my likeness, hinting slyly that this could reveal more of my inner life to him.

When I replied “fox,” then added “or maybe lion,” he was shocked, but he erupted in hysterical laughter shortly afterwards. He’d expected me to say some kind of gentle bird that ate only plants, he explained.

And I get it. At the time, I kept a cage-free pet cockatiel and a fruit-eating lorikeet as companions at home. But who and what we care for, aren’t necessarily the same things as who we are.

Excerpt 

Genre: Nonfiction Memoir 

When the Baby Is Not OK: Hopes & Genes by Jennifer J. Brown, 2025

I’ve blocked out a lot regarding the hospital’s phone call that pivotal day. The brain’s neural pathways are blessedly wired to forget certain things. A version of the words does come back to me but not the sounds or pictures that make up my other memories. I can’t hear the caller’s voice in my head. Not whether they were young or old, a woman or man, kind or cruel. It went something like this.

“There’s a problem with the baby’s first blood test results from newborn screening. The baby is not OK. You’ve got to come back to the hospital. Right away. Your baby tested positive for a  rare disease. It’s a genetic disorder, phenylketonuria. PKU.”

    Hmm, I thought, really? What are the odds?

Abstract thinking can avoid facing difficult feelings. It’s one of the psyche’s common defense mechanisms. Somewhat effective protection from mental pain. I’m a numbers person and so those immediately raced helpfully through my mind. 

Here they are. The odds are less than 1 in 10,000 that a newborn baby will have PKU in the US. True, as the caller said to me, it’s rare. And for me, personally? At the time I was studying to become a geneticist – a scientist who works with DNA, genes and those diseases that run in families. Only 1 person in 10,000 is a geneticist in the US. So that’s about as rare as a baby having PKU – but completely unrelated.

The odds of two independent things happening at the same time are small. Far smaller than either one of them happening alone. They’re the odds of one multiplied by the odds of the other. Even in my blurred postpartum state of the baby blues I knew that came to only 1 in every 100 million births. So this event of a geneticist having a baby who has PKU might happen to maybe 3 people of the nearly 300 million in the entire US population. 

    That certainly put things in perspective.

    Is it even possible? 

    Yes. But so very, very unlikely.

Every thought I’d ever had in my entire life that related in any way to PKU flashed before my eyes. Like what some people say happens before the moment of death. I felt that threatened.

I couldn’t think about the promise of modern medical care for people who had PKU because I didn’t know a thing about it. Nothing about the present realities for children or adults who were actually living with PKU. Nothing about the optimism that might inspire. Nothing about the hope.

I vividly saw what I’d heard, learned and read. During my science classes I’d heard that babies were sometimes born with atypical health conditions labeled “rare diseases.” Having PKU was genetic; it ran in families.

Having genes for PKU prevented breakdown of the amino acid phenylalanine. Babies were born healthy but quickly developed a lifelong health condition with effects that were labelled, at the time, as “mental retardation.”

Today the stigmatizing and hurtful term is less often used. Instead, clinicians refer to learning delays or intellectual disability. But when the hospital staff said “PKU” to me on the phone, that’s how I’d been taught. And so that’s what I thought.

During genetics and psychology courses I’d learned that having PKU could mean childhood disabilities. That the condition led to developmental delays, mental illness, seizures and more.

That when a girl born with PKU grew up and tried to have children of her own she was more likely to lose the baby from miscarriage. Or to have a newborn with a very small head (microcephaly) who was also at higher risk for heart defects at birth.

 From my own reading I knew that in too many families, no one had recognized PKU for what it really was. That sometimes a child lived out their life confined to an institution, painfully separated from their loved ones. 

I’d read about renowned author Pearl Buck’s daughter’s condition which went undetected and led to lifelong disability. The first woman to win the Pulitzer, Pearl Buck also received a Nobel Prize in Literature for her popular novels.

Her historical fiction book The Good Earth about a Chinese farming family’s life story had been a bestseller in 1932. It was later made into an award-winning movie, and regained popularity once again after being chosen for Oprah’s Book Club in 2004. The classic story’s protagonist, a farmer, refers to his oldest daughter unkindly as “the poor fool” because she never develops mentally.

The author based the girl’s character on her experience with her own daughter. I’d read the book as a child after my Uncle, Donald Potter – who lived in China and taught English there – mailed it over intending that my mother would read it. He was distressed when he found out I’d read the very grown-up book instead.

    In graduate school genetics classes I’d read another one of Pearl Buck’s important books. A heartbreaking memoir, The Child Who Never Grew shares her real-life experience with her daughter Carol. It became a classic in medical genetics studies. 

Baby Carol had a PKU condition that went undiagnosed and so wasn’t treated. Her mother was a celebrated writer but Carol couldn’t speak or care for herself. No one knew why. Her mother reluctantly placed the little girl in an institution against her will, and in her memoir described the suffering that separation caused them both.

To me, the hospital phone call about my own daughter – and all that it implied – seemed surreal.

– excerpt from When the Baby Is Not OK: Hopes & Genes by Jennifer J. Brown, 2025.

Book Links:
Amazon: https://www.amazon.com/dp/B0DT7MZ7YL

Apple: https://books.apple.com/us/book/when-the-baby-is-not-ok-hopes-genes/id6740871196

 B&N: https://www.barnesandnoble.com/w/when-the-baby-is-not-ok-jennifer-j-brown/1146869011

Kobo: https://www.kobo.com/us/en/ebook/when-the-baby-is-not-ok-hopes-genes

Bookbub: https://www.bookbub.com/books/when-the-baby-is-not-ok-hopes-genes-by-jennifer-j-brown

Goodreads: https://www.goodreads.com/book/show/223703166-when-the-baby-is-not-ok

Janet & Chris Morris Guest Post

What is something unique/quirky about you?

Together we breed Morgan horses. We consult with Morgan breeders to help them choose crosses to their stock to achieve a desired result.

We are also musicians; Janet plays bass guitar, Chris sings and plays guitar. We have an album on MCA records. Look for Christopher Crosby Morris on Soundcloud or N1M.com 

Can you, for those who don’t know you already, tell something about yourself and how you became an author?

Janet wrote her first novel, High Couch of Silistrain 1975; a friend sent it to an agent who chose to represent her; she had already written the second book in the Silistra Quartet and her agent told her not to disclose that until they finalized the contract for the first one.

When the publisher learned of the others, Bantam Books bought the succeeding three. When the fourth book was published, the series already had four million copies in print.

Suddenly Janet was a novelist specializing in environmental, gender, historical and political subjects. In the process, Chris started as her editor and ultimately a co-writer. Since then, she and Chris have co-authored many books.

Who is your hero and why?

Heraclitus of Ephesus, a pre-socratic philosopher, whose Cosmic Fragments foreshadow our knowledge of reality and how to perceive it. Among his precepts is the statement that change alone is unchanging. We’ve worked Heraclitus’ fragments in here and there throughout our books.

Which of your novels can you imagine being made into a movie?

All of them. We write cinematically, our books are vivid adventures we undertake without knowing the destination.  I, the Sun, The Sacred Band, and Outpassage are particularly suited to film. The Threshold Series is a feast of opportunities for today’s special effects creators.

Advice to writers?

As for advice to writers, here is all we know: write the story you want to read. Start at the beginning, go to the end, and stop.

Seriously. From start to finish you must inhabit the construct in a manner that makes the reader choose to continue; if we as writers can’t feel what it’s like being there, our readers can’t either.

Close your eyes, look at your feet where they are standing on the story’s ground; tell us what you see. Tell us what you hear. Ask at the end of each paragraph ‘what happens next?’.

If you lose touch with it wait until you’re back inside it. Tell the story that comes to you, and from you, to us.